

The rejected The Red Spider manuscript was discovered in 1975 by Will Murray and published during the Bantam Books print run as #95. As the stories got shorter, Bantam combined double novels with numbers, and finally Doc Savage Omnibuses with four or five stories without numbers. They started as single volumes with numbers. Bantam reprinted all the stories, concluding in 1990, but not in the original publication order, and a few stories were retitled. A huge selling point were the striking photo-realistic covers of a vibrant, widow-peaked, shredded-shirted Doc painted by James Bama and later Bob Larkin, Boris Vallejo, and others. Until 1964, when Bantam Books revived the pulps as paperbacks. In the last story, Up from Earth's Center, Doc delves into a cave in Maine and meets what may be actual demons, and runs screaming in terror. She oversaw three pulp-style adventures for the last three issues, but the magazine was cancelled in 1949. This story, eventually titled The Red Spider in the Bantam run, was killed and shelved by editor Daisy Bacon. Dent took a new direction, with Doc infiltrating Russia and outwitting "the Ivans". Editor William de Grouchy was brought back to revive the magazine, and asked Dent to return to larger-than-life stories. The magazine went bi-monthly in 1947, then quarterly in 1949. Experimenting with new formats, during 1947 Dent wrote five stories with a first-person narrator, an innocent person caught up in a Doc Savage adventure, with one story narrated by Pat Savage, I Died Yesterday. Alan Hathway's grisly The Mindless Monsters reads like a rejected Spider story. Dent may have recycled some generic detective stories as Doc tales King Joe Cay features Doc working alone, in disguise, with no aides, gadgets, or headquarters, and an interest in the ladies. Covers rarely showed Doc anymore, becoming detective-generic, abstract or illustrating non-Doc stories. Successive editors carried this format, and Babette Rosmond retitled the magazine Doc Savage, Science Detective in 1947.īy this time, the Doc stories were shorter than other stories in the magazine. Doc pared down his team, working mainly with Monk and Ham, and sometimes alone. By 1946, in Measures for a Coffin, Doc is busting crooked investment bankers. Doc used fewer gadgets and standard detective tropes. Charles Moran became editor in 1943 and changed the format to suspense and realism. During World War II, ordinary men and women performed fantastic deeds daily in exotic corners of the world, and fantastic pulp adventures seemed childish. īy 1938, as the economy improved, pulps were on the wane and faced competition from comic books. Davis, Alan Hathway, and William Bogart that were overseen or rewritten by Dent. Lester Dent wrote most of the stories, with fill-ins by Harold A. In Depression America, 10-cent pulps with hundred of pages were handed around barracks or bunkhouses or schoolyards, a popular form of entertainment when people were unemployed and poor, and fantastic stories were a pleasant diversion from real life. Kids could join the Doc Savage Club complete with badge, or follow "The Doc Savage Method Of Self-development" to build muscle and memory. Other adventure stories filled up the back, and there was a letters column. Exciting covers were painted in bold colors by Walter M. An editorial decision made them kill only when necessary for a more adventurous kid-friendly magazine, unlike the bloodthirsty competitor The Shadow.ĭoc Savage was the lead story, often illustrated with line drawings.

In the first few stories, Doc and his aides killed enemies without compunction.

The early stories were pure pulp "supersagas", as dubbed by Philip Jose Farmer, with rampaging dinosaurs and lost races, secret societies led by dastardly villains, fantastic gadgets and weapons, autogyros and zeppelins, death-dealing traps and hair-raising escapes, and plots to rule the earth. Nanovic was editor for 10 years, and planned and approved all story outlines. The first entry was The Man of Bronze, in March, 1933 from the house name "Kenneth Robeson". The original series has sold over 20 million copies in paperback form.

Doc Savage stories, 213 in total, first appeared in Conde Nast's Doc Savage Magazine pulps.
